I recieved this book for free from the publisher via NetGalley in exchange for an honest review. (Publication: September 5th, 2017)
Rating: ★ ★ ★ ★
Synopsis: At sixteen, Mina’s mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone—has never beat at all, in fact, but she’d always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king’s heart with her beauty, become queen, and finally know love. The only catch is that she’ll have to become a stepmother.
Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen’s image, at her father’s order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do—and who to be—to win back the only mother she’s ever known…or else defeat her once and for all.
Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story.
Genre: Young Adult, Fantasy, Retellings, LGBT
Review: I’ve always been a fan of retellings, but what grabbed my interest about this one in particular was the overtly feminist message it advocated from the beginning. The author is fully aware about how this book will be received by readers, and I think, surprisingly, that’s a good thing. The novel takes pains to never pit the two women against each other, instead focusing on building their relationship. As a result, the fallout that occurs is made that much sadder.
Miscommunication is the crux of this novel. What it lacks in obstacles and exposition, it makes up for in exceptional character development. Although often frustrating, there are points in this novel where you see real change occur, and they are special. Seamless transitions between narratives in the past and present allow for the story to flow naturally, to provide important background which leads to development. However, that development, that depth, falls only on Lynet and Mina. I truly wish Nadia had been developed more, as she brought a new component to an often revisited tale. I also thought that for a stand-alone, it was lacking in real progress. It seemed to set the stage for more than what actually occurred. That being said, I was pleasantly surprised by the LGBT+ representation.
This is a wonderful novel and a wonderful retelling. It sets the bar high for authors in the future who seek to write feminist endings for well-loved fairytales.